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From Phyllida's Desk

The Language of Confession

Grace Church Brooklyn Heights
 
 

How bad a year was 2020? So bad I started attending church regularly, for the first time since Sunday School. Even fifty years ago, the Episcopal Church in New York City was welcoming and liberal; going back now, during the last days of Trumpigula, was more comforting than oppressive.

 

Of the many changes in the liturgy since 1979, I'm most struck, as a writer and performer of spoken word, by the difference in the General Confession.  Read More 

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To Anachronism in Heaven

For my last blog meditation of the year, I want to revisit a favorite topic: the use of language in fiction, especially historical fiction. Yes, I've written about this a lot, but the issue keeps sitting up and jumping off the slab each time I think my last autopsy has established a cause of death.  Read More 
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Rating Good Reads

I joined Goodreads recently, as preparation for publishing a series of e-books. The idea was to establish a presence in a popular online community of readers, make some friends and build anticipation for the upcoming releases.

But I was dismayed by the duty to write reviews. The members of Goodreads list the books they've read on "shelves" for others to see, post online reviews, and of course, rank the books using the familiar five-star system.
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Seeing Blue

In the third season of Mad Men, Don Draper's latest extramarital interest, a freethinking schoolteacher, asks that unanswerable question: How do we know what you call “blue” is the same thing I see and call blue? Now a new book goes even further, telling us English has more color words that many other languages, and that ancient Greek appeared to have no word for blue at all. (Through the Language Glass: Why the World Looks Different in Other Languages, by Guy Deutscher. Metropolitan Books/Henry Holt)
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Harsh Vocabulary

By now, you've probably noticed that I “talk back” to reviewers. I imagine that breaks any number of commandments for authors, even the really famous best-selling ones. At least I don't write aggrieved letters to the editor complaining that the reviewer didn't understand my brilliant work. All I do is talk to myself on my blogs, and to whatever readers are kind enough to listen in. It's hard for me to curb my instincts. I'm a “conversational” writer. I see my novels as the opening monologue in what I hope will be an ongoing, multiple back-and-forth discussion among readers, and between readers and me.

My latest conversation piece is a review of three Austen-inspired works, one of them my Pride/Prejudice, in the Washington Post

and in particular this line: “Her vocabulary is harsh, and the numerous sexual encounters too explicit to quote here.”

Guilty as charged, as Mr. Darcy says on page 1 during a not-so-explicit by today's standards sexual encounter. Of course, it is only page one ;)  Read More 
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